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OrangeIs the New Black season 7: Release date, cast, trailer, plot and everything you need to know Orange Is The New Black has been cancelled at Netflix after 7 seasons

ORANGE IS THE NEW BLACK – ALEX VAUSE FUNKO POP! VINYL FIGURE € Esgotado Join the waitlist to be emailed when this product becomes available By ticking this box you agree to an account being created using the given email address and to receive waitlist communications by email Enter your email address to join the waitlist for this product OITNB is another of those TV’ series, like House of Cards, completely changing the model of how TV works with distribution through Netflix rather than a broadcast adventures of Piper Chapman as she moves from a priveleged life to that of an inmate in a women’s prison the show has a massive following, and a fantastic cast. It has already been renewed for 2 more series and had 12 Emmy nominations in the 2014 awards. ^{Bynow you've heard that Orange Is The New Black soon come.You may have also heard that some of the episodes were leaked on YouTube.Most of said episodes have been erased, a lot weren't final cuts, and honestly people,} Le Point Pop Séries La série carcérale, l'un des premiers grands succès de la plateforme de streaming, s'arrêtera l'été prochain, après sept ans de bons et loyaux services. Orange Is the New Black s'arrête au bout de sept saisons. © Netflix Netflix a rendu son jugement. Dans une vidéo partagée sur Twitter, le casting d'Orange Is the New Black est enfin prêt à sortir de prison et annonce la fin officielle de la série carcérale, qui s'arrêtera donc au terme de sa saison 7, diffusée en 2019. Les demoiselles badass de Litchfield et les incroyables équipes avec qui j'ai travaillé vont beaucoup me manquer. Mon cœur est orange mais va déteindre au noir », a déclaré Jenji Kohan, créatrice de la fiction, dans le communiqué officiel partagé par la plateforme de streaming. Daniele Brooks, Uzo Oduba, Natasha Lyonne, Taylor Schilling, Laura Prepon, Kate Mulgrew, Taryn Manning, Adrienne C. Moore, Dascha Polanco, Selenis Levya, Yael Stone... Dans la vidéo, toutes les actrices d'Orange Is the New Black adressent quelques mots aux fans et partagent par la même occasion leur expérience et ce que la fiction leur a apporté. Je suis tellement reconnaissante des bons moments passés, des connaissances et des amitiés, de l'amour et de la famille que nous avons réussi à créer ensemble », confie Uzo Aduba, l'interprète de l'inimitable Crazy Eyes. La fin d'une ère Malgré six saisons au compteur, Orange Is the New Black a toujours réussi à attirer un grand nombre de téléspectateurs. Même si Netflix ne partage jamais les chiffres de ses audiences, l'organisme Nielsen, institut de mesure américain, affirme que plus de 5,4 millions de curieux auraient regardé en trois jours le premier épisode de la saison 6, mise en ligne le 27 juillet dernier. Débutée en 2013, la série à succès est inspirée d'une histoire vraie et met en scène la période carcérale de Piper Chapman, mise en détention au sein de la prison de Litchfield pour trafic de drogue. Saluée pour ses dialogues incisifs, son humanisation des prisonniers et sa mise en avant de personnages issus de la diversité, Orange Is the New Black s'est imposée au fil des saisons comme une fiction très populaire chez les adeptes du petit écran, et a participé par la même occasion à populariser la plateforme de streaming. Autant dire que les ultimes aventures de Piper, Alex et Crazy Eyes, prévues pour 2019 pas encore de date précise, seront attendues au tournant ! Je m'abonne Tous les contenus du Point en illimité Vous lisez actuellement Netflix met fin à Orange Is the New Black après sept saisons Le pouvoir expliqué par les séries 8,90€ Qui n’a jamais réfléchi à l’ascension du populisme devant un épisode des machiavéliens Game of Thrones ou Baron Noir ? Ou au bien-fondé – ou pas – de la transparence en politique en visionnant Borgen ? Quant au succès planétaire de La Casa de papel, ne reflète-t-il pas la montée de la pensée antisystème » dans nos démocraties ? Plus pragmatiquement, que nous enseignent, du pouvoir, de ses enjeux et de ses jeux, sur la manière dont on le conquiert et dont on le garde, les grands récits contemporains que sont les séries ? Soyez le premier à réagir Vous ne pouvez plus réagir aux articles suite à la soumission de contributions ne répondant pas à la charte de modération du Point. FigurineFunko Pop! Orange Is the New Black : Geor : Catégorie: FIGURINE DE JEU : Référence: 40005 : Général; Couleur(s) Multicolore : Modèle: Pop! Vinyl : Gamme: Funko Pop ! Age (A partir

Jill Gutowitz, a pop culture writer, is the author of the new book "Girls Can Kiss Now." In the book, Gutowitz takes a humorous look at the intersection of entertainment and sexuality over the past 30 years. Gutowitz told Insider early-2000s Lindsay Lohan and Netflix's "Orange Is the New Black" were formative to her sexuality. Loading Something is loading. As a child, Jill Gutowitz was obsessed with Lindsay grew up watching the child star's classics, like "The Parent Trap," and as a young adult, "Freaky Friday," and "Mean Girls.""I wanted to be like her, dress like her, and act like her. She was the epitome of cool" and everyone loved her, Gutowitz wrote in her new book of essays "Girls Can Kiss Now." Now 30, Gutowitz said she now realizes she wasn't just a fan of Lindsay Lohan. She wanted to kiss her. In the book, Gutowitz shares her musings on the intersection of pop culture and sexuality, weaving in her personal coming-of-age tales. She references Britney Spears, Cara Delevigne, Julianne Moore, and other celebrities whose mainstream presence influenced her Gutowitz identifies as a lesbian. She told Insider, looking back, her childhood obsession with Lindsay Lohan, plus watching "Orange Is the New Black" in her early twenties, helped her come to terms with her attraction to women.'My obsession with Lindsay Lohan would out me'When Gutowitz realized her childhood friends didn't share her fixation over Lohan, she started to downplay it, she told Insider."Because they were noticing that I was so obsessed, I kind of taught myself to tone it down. I came to understand pretty quickly that my obsession with Lindsay Lohan would out me, even if I didn't know for sure that I was a lesbian," Gutowitz told Insider. Gutowitz said she still didn't realize her gayness in 2009, when Lohan and her then girlfriend DJ Samantha Ronson, became tabloid regulars. All Gutowitz could think about back then, she wrote in the book, was "Girls can kiss...each other?!?!?! For their OWN PLEASURE?!?!?"Since Lohan was known as a Hollywood cool-girl before she started dating Ronson, it automatically made their queer relationship more intriguing, Gutowitz said. She also said it was the first time she saw mainstream representation of a same-sex relationship involving a feminine-presenting celebrity, though Lohan has since denied she is bisexual.'Orange Is the New Black' showed women being horny for each otherWhen Gutowitz was 23 she was aware of her gayness, but actively tried to suppress it, she said. That same year, Netflix debuted "Orange Is the New Black," a television show based on a pilot episode, where characters Alex and Piper have shower sex, became another formative moment for her sexuality, Gutowitz said. "That was the first time that I saw a relationship between two women that was based in love and a real connection and also was super hot," Gutowitz told said seeing Alex and Piper's relationship throughout the show helped her confront her fears about being Netflix show "kind of held my hand in a way and was like, 'This is going to be hard to deal with, but there are rewards at the end of it,'" Gutowitz said. "Rewards of actually getting to feel what love feels like. Oh, and horniness too."

TVOrange is the New Black Suzanne Crazy Eyes Warren Hot Topic Exclusive #248. This item has never been removed from the box, so I can’t attest to the paint quality. The box will have normal Orange is the New Black is one of the most popular shows around, so when the cast crashed a fan's wedding, it would be a night to remember. The cast of Orange Is The New Black hilariously crashed a fan's wedding and the photos are perfection. According to E! News, several of the hit Netflix show cast members recently traveled to Australia for the Sydney Gay & Lesbian Mardi Gras over the past weekend. While they were there for the special event, a few of the stars made a couple of new friends that were in the middle of a very important day. Lea DeLaria who plays Big Boo, Danielle Brooks who plays Taystee and Australian actress Yael Stone who plays Lorna Morello crashed the wedding of two females who could not have been more thrilled to have them share their special day. RELATED WATCH KATY PERRY CRASH A WEDDING "Me yaelstone and daniebb3 crashed a wedding down under, in fact I sang for the brides and danced with everybody... LIVING IN OZ," shared DeLaria on Instagram along with several photos from the day. Tegan Hunter and Louise David were the two brides who got to share their day with some of the Orange Is The New Black cast members. Stone and Brooks also shared special messages on social media. "We heard some fans were getting married," revealed stone in a video of Netflix’s Facebook page. "And we 'bout to crash that mother-" Danielle added in the same video. Hunter planned a big surprise for David, who is a huge fan of the show but she ended up getting a surprise herself. As it turns out, DeLaria was planned all along to be a guest but she decided to bring a couple of her friends as crashers. When Hunter introduced the special guest to her bride, she was not ready for what the actress told her. "So, Tegan and Lou, sorry for crashing your wedding. I hope you don't mind. I have decided not to come by myself, ladies. I've brought a couple other friends with me," DeLaria told them. After she brought out Stone and Brookes, the actress sand to the very surprised and happy newlyweds. It was a very special day for Stone, who was proud Australia finally legalized gay marriage last December. She was honored to be part of such a meaningful wedding in her home country. Here's How Joey King Went From A Child Actor To Becoming A Hollywood Star About The Author Rachelle Lewis 377 Articles Published Rachelle is a writer who is passionate about writing and talking about celebrity gossip, television, movies, women's empowerment, fashion trends, and dogs. She works for a variety of sites with Valnet Inc. including and When she is not writing she enjoys spending time with her corgi Milo, watching and going to the movies or binge-watching TV, as well as spending time with her family and friends. More From Rachelle Lewis 4rate di 3,48 € con sezzle Scopri di piú about sezzle Scopri di piú. Descrizione. Product Details. Orange Is The New Black Pornstache Pop! Vinyl Figure. #249. 13,95 €. ESAURITO. Questo articolo Funko è vaulted e non verrà più prodotto da Funko, pertanto non se ne prevede il ritorno in stock.

Orange Is the New Black SummaryWhen Piper Kerman is twenty-four in 1993 she hooks up with a chic lesbian drug dealer named Nora Jansen and helps her smuggle money across borders in Europe. If she tried that today, she'd have to pay almost as much in checked-bag fees as the amount she was smuggling. Piper leaves this life behind and eventually meets a man named Larry, whom she moves to New York with. But her money-laundering past catches up with her, and she's indicted on drug charges, pleads guilty to avoid a maximum sentence, and is sentenced to eighteen months in Danbury Federal Prison. She's worried, but glad that she's blond and wonderful and surrounded by hundreds of family members and friends offering her unconditional love and February 4, 2004, Piper goes to jail. She has to go through a strip search, put on an unflattering khaki jumpsuit, and only has trashy romance novels to read. Can it get any worse? Over the next few months, Piper goes through prison orientation, makes some friends, and gets tons of mail and visitors. If there were a prison popularity contest, Piper would win. Nothing bad really happens to her. Once, she gets into an argument with a woman about iceberg lettuce we wouldn't want to eat it, either, and another time she accidentally takes a screwdriver from a worksite, so she throws it in the dumpster so she won't get caught in possession of a deadly weapon. But that's about also makes friends, like Little Janet; Pop, the prison cook; and Vanessa, a transgender woman. Piper celebrates her birthday in prison, and she's showered with cards, letters, and chocolate. Unfortunately, Piper's grandmother dies, and she can't get furlough to see her before she passes. As Piper's release date approaches, her friends start to go home. Both Little Janet and Pop prepare to leave, but Piper is called as a witness in Chicago. She has to fly Con-Air which is still an upgrade from Spirit airlines to testify against Jonathan Bibby, one of Nora's drug one of those stranger-than-fiction moments, Piper finds herself in the very same cell as Nora Jansen and her sister. They manage to form a temporary truce, at least until the trial. Then, after Piper testifies, she's released… from Chicago, which is hundreds of miles away from Danbury. But Larry is there waiting for her, and she runs toward him, happy to be we mean...awww.

^{Thisitem: Funko Orange is The New Black - Piper Chapman. $29.95. Only 5 left in stock - order soon. Ships from and sold by Hot Diecast Toys. FREE Shipping. Funko Orange is The New Black - Alex Vause. $39.00. Only 17 left in stock - order soon. Sold by Willy's Toy Box and ships from Amazon Fulfillment.} ^{Tomorrow, Netflix will release fourteen new episodes of the hit series Orange Is the New Black, inevitably renewing discussions of a host of prison issues. From the start of the series, the incarcerated women of Litchfield Penitentiary warn protagonist Piper Chapman about the horrors of “the SHU,” the federal prison’s Segregated Housing Unit. Chapman’s character, loosely based on writer-come-advocate Piper Kerman’s experiences with prison, has spent thirty days in solitary in the course of the first three seasons. Although Kerman never spent any time in solitary while incarcerated, her fictional counterpart emerges from SHU visibly troubled in the second season premiere. On the third and most recent season, two characters effectively disappear. Both are sent to solitary confinement, and both are not heard from for the rest of the season, mirroring the silence that characterizes the practice. Natasha Lyonne’s character, Nicole Nichols, is sentenced to time in administrative segregation following a drug charge. Transgender woman Sophia Burset, portrayed by Laverne Cox, is shanked by a group of women in a hate crime and is sent to protective custody after the incident. For Orange is the New Black, a show whose plot hinges upon the relationships between women on the inside, solitary confinement holds little entertainment value. Rather than focusing on the experiences of women in solitary, the show naturally follows those able to communicate with the outside world, a telling omission that illustrates how those in the box are erased from the narrative. Regardless, OITNB has managed to spark conversation both in public discourse and in more official settings. In 2014, Kerman testified before the Senate Judiciary Subcommittee on the Constitution, Civil Rights and Human Rights. The hearing, “Reassessing Solitary Confinement,” gave Kerman a platform to express the specific traumas facing women who enter solitary in our prisons. Regarding sexual assault, she said, “Solitary is…misused as a threat to intimidate and silence women who are being sexually abused by staff…The terrible threat of isolation makes women afraid to report abuse and serves as a powerful disincentive to ask for help or justice.” [transcript] Despite the recent growth in news and social media, solitary confinement as a plot-point in television remains sparse, at best. Its first small-screen appearance 1995’s “F. Emasculata” episode of The X-Files is among a small handful of times TV viewers have been asked to incorporate solitary confinement into their entertainment. After a few appearances exclusively in passing and often in sitcoms [My Name Is Earl – “Didn’t Pay Taxes”, 2006], the effects of prolonged isolation were explored for the first time in primetime. Law and Order Special Victims Unit aired “Solitary” on October 7, 1999, highlighting the lasting psychological effects and potential dire consequences of solitary confinement. Detective Elliot Stabler voluntarily spends a three days in solitary after being attacked by Callum Donovan, a man he had helped put away years earlier. After learning about Donovan’s 15-year stay in solitary to avoid recruitment to the Aryan Brotherhood, Stabler elects to try it out for himself. Shortly into his stay, he becomes agitated and even slightly delusional. Before, he had wanted Donovan back behind bars; he changes his perspective following his own time and thinks Donovan should walk. On the non-fiction front, MSNBC’s Lockup and National Geographic Channel’s Lockdown both present a documentary-style look into what National Geographic calls “America’s hardest prisons.” This sensationalized, dramatized version of what goes on inside our prisons reflects a narrative driven by the desire to create a divide between criminals and citizens. Viewers may become convinced that, as terrible as these places are, they are necessary to house our worst, most violent offenders. Violent treatment toward those with a history of violence, however, does not prevent future dangerous behavior. Furthermore, men and women serving sentences in solitary often get released back into their communities directly from solitary, which boosts recidivism rates and can increase the risk of violent reoffending. There are also thousands of non-violent people in solitary confinement, which undermines the narrative of “Lockup” and “Lockdown.” This “worst of the worst” theme allows viewers to dodge accountability and excuse the practice. In the world of “reality” television, Fox Reality Channel aired a game show entitled Solitary from 2006 to 2010. At the start of the season, we enter a complex in which contestants are imprisoned for a number of weeks. The last one standing wins $50,000, and each contestant seems fully prepared to test his or her limits in order to win the money. The Survivor-style show creates an atmosphere in which the contestants’ actions are dictated by a computerized voice named Val. Val refers to her prisoners as Number One, Number Two, and so on, and she is their only source of contact throughout the show. There are various elements in the show that distract from the fact that contestants are participating in a practice that has been condemned in the human rights field and by the UN Special Rapporteur on Torture. The upbeat background music, brightly colored units, and omnipresent robot voice replace the extreme silence, drab and muted colors, corrections officers, and abuse occurring in real solitary confinement units. In this context, the fascination with testing human limits extends as far as simulating torture. The nature of the show trivializes true experiences in solitary, making it out to be a test of various strengths rather than a forceful denial of basic human rights and human contact. Contestants do not have to live with the stigma of being incarcerated, and they are able to leave whenever they want, returning to their lives, jobs, and families seamlessly. Men and women being held in solitary in real prisons may lose months or even years of their lives, and remain permanently scarred. The increase of televised attention to solitary confinement in recent years begs the question Is flawed media better than no media at all? Many viewers may have forgotten about OITNB’s Nichols and Burset when they left the general population. Is their absence enough to increase awareness about the depths of the system they were entering further into? When Burset is sent to protective custody, Michael Bryan French’s character, a higher-up prison official, has no awareness that it is a form of solitary confinement. Is getting this message across to the viewer enough to change attitudes regarding the practice? Whatever its flaws, Orange Is the New Black’s presentation of solitary confinement to its enormous and critical audience is a step forward. Although viewers should not assume that the show imparts an accurate education on the prison system, presence may lead to pertinence, which allowed Kerman to deliver her testimony. Making the issue present in popular culture and in news media serves to reach people who would not normally be interested. As for reality-style series, Lockup and Lockdown could offer a more critical look into the prison system, rather than capitalizing on the split between criminals and society. For a country that prides itself for its human rights record, it would be interesting for the shows to take a look at how and why the conditions of “America’s hardest prisons” were created and how and why they are being sustained, even after being deemed torture. And taking institutionalized violence as a premise for a game show – like Solitary – simply serves to capitalize on, if not further normalize, torture. In the past year alone, solitary confinement has made great strides in penetrating mainstream political culture, with everyone from the Pope to Supreme Court Justice Anthony Kennedy to President Obama denouncing its devastating effects. Yet so far, reforms have brought practical change to a small percentage of the nearly 100,000 people currently in solitary. More progress is not inevitable, and popular culture can have a true impact by making bold choices that promote justice over complacency.} ^{Thecast and crew of Orange Is The New Black did not mince words Friday when they sent a message to Donald Trump: 'F*** You.' The OITNB fam is the latest major TV show to denounce Trump, following}

Hi Kittens! Miss me? Mea Culps as I was away on Fakecation. Several in fact. But enough about moi, because my favorite time of year is upon us… 🎶🎶 “CAUSE I’M FREEEEEEEEEEEEEEEEEEEE, FREE FALLIN…“ Yes it’s fall, the most substantial fashion-procuring-season of the year. I don’t know about you, but Winter-Fashion’ is a mammoth oxymoron in my humble opinion. I end up looking like the late Robin Williams in The Fisher King just trying to survive the harsh elements. And in summer? I’m pretty much bra-less with a sweaty upper lip area. How fashion fits into that sexy mess is a mystery to me? …So for your UNISEX pleasure I bring you Fall Fashion Trends for both Guys + Dolls. There are no choices with fur in any of my offerings because I find it grotesque and cruel, oh and this. GUYS Shopping for you dudes was a difficult task as the majority of runway looks were like one big glittery Liberace carnival-float not that there’s anything wrong with that… However it’s not exactly what I could see my own man wearing, let alone my beloved readers. So, I cherry-picked some looks that I believe will appeal to a wide array of taste buds, while remaining on trend. Orange is the New Black Orange as a color palette is huge for menswear Fall 2014. To simplify, I plucked a couple of wearable looks for you to choose from. From Left to Right DSQAURED Quilted Bomber Jacket, Strellson Zinc Cotton Pants, Gucci Running Shoes. DSquared Bomber Jacket Strellson Zinc Pants Personally I wouldn’t be caught dead wearing this vomitus carrot garbage, but don’t blame the messenger! Hint get 1 statement piece, like a staple jacket for example. Like Tim Gunn says “Make it Work People!” Bag It The latest bags for fall 2014 are sizable boxy carry-on’s in bold colored prints and fabrics. DSQUARED showed off some great bags at their runway show as did Etro and Burberry Prorsum. DSQAURED DSQAURED Etro Burberry Prorsum Might I also add that j’adore the entire DSQAURED look’ from head to toe? How hawt are those incredible shoes?! *Click onto photo for magnified view. Designer Kicks …Speaking of shoes + awful segues Designer running shoes are all la RAGE and I couldn’t help but become enraptured with these Balenciaga stunners + these Tom Ford red velvet high-tops. Did Somebody say Velvet? See what I did there? Whenever I hear someone say Velvet I automatically think of this classic scene from Coming to America… Beyond being cruelty-free, velvet is a playful textured fabric and was seen all over the runways for fall 2014. Vibrant colors, pinstripes and patterns took center-stage courtesy of dandy-esque suits via Dolce + Gabbana and Etro. Dolce + Gabbana Dolce +Gabbana As a footnote, I’m not a huge fan of the resurgence of the double-breasted suit as I don’t think it does anyone any favors. Except for Letterman. Dave’s Double Breasted vintage game was always TIGHT! Kick Ass Boots Like the title suggest, think Clock Work Orange meets well-worn Biker Boots and you have Fall 2014 strongest trend of all. John Varvatos pretty much cornered the market in his runway fall show depicting a Rock-Star/Draconian aesthetic with boots worthy of a modern-day rough and tumble. I don’t even know what that means? Up Close Left John Varvatos Bowery Button Boot Right Freeman Raw Edge Boot. So there you have it GUYS. A little piece of my fashion doyen-ism just for you. Most importantly the paramount FALL 2014 non-negotiable is to shave off your HIPSTER BEARDS for GOOD. BUH BYE HIPSTER BEARD No-one wants to see anymore of that nonsense…DEAL? ∗∗∗ DOLLS “Hey Ladies in the place I’m callin’ out to ya…“-Beastie Boys Just to reiterate, I won’t be showing any fur options despite there being an onslaught of it on the runways for fall 2014. Fur is for animals, NOT for people. Repeat 10x fast Fur is a Faux-Pas! Kaleidoscope Prints As an evangelist for all things colorful, I was pleased to see a smattering of gorgeous prints on the runways. Delicious swirls of Aurelia Boralis-like hues at Givenchy, fairy tale flowers + butterflies at Valentino the cape also a HUGE trend for fall 2014! + a 60’s inspired offering from Temperly London. Givenchy Valentino Temperly London Might I add that the ENTIRE Temperly London pre-fall collection I actually prefer it to the winter collection expressed the inner landscape of my fashion sensibilities better than anything I’ve seen in recent years? Alice Temperly is a tour-de-force! Sheer Perfection The sheer trend was also prominent on the runway with peek-a-boo ethereal elegance via Givenchy, Michael Kors + Roberto Cavalli. Givenchy Michael Kors Roberto Cavalli Cozy Knits The head-to-gams knit trend appeals to my need to be swaddled in absolute comfort while staying bra-less for as long as I possibly can. I would happily dress like this exclusively until I’m forced into my mismatched heinous winter drobe. From left to right Marc Jacobs, cruelty-free designer Stella McCartney + Michael Kors. Marc Jacobs Stella McCartney Michael Kors Braided Hair, Don’t Care While the braided hair trend is not au courant per se, the Golidlocks powers-that-be kept on pushing their creations to new levels. First up, all hail to Nanette Lapore for creating a variety of braided looks that truly took over her Fall 2014 runway show. Tight French braids that hug the forehead and cascade down the side of the face, tucked underneath, or with a Mad Max meets Pocahontas flair with pinches of hair peeking out. All of these looks are highly covetable, wearable and dripping with mah-jah style! Additional lovely was seen in a romantic incarnations of bun-braids’ at Dolce + Gabbana and sleek hair-origami at Fendi. Metallic Kiss + Make-Up Incandescent metallics, glittery pigments+ gun metals are the signature look for eyes, lips + nails for fall 2014. Sweeps of silver at Emporio Armani + Mac, while Chanel adds a pop of color to further enhance the trend. Up Close inspirations with a Black Swan *feel* left at Chanel right at Dior. Furthermore, I am absolutely head-ovah-heels for this entire LEWK’ from Rodarte Fall 2014, curated by François Nars. I’m purrrrrrrrrrring over the 80’s inspired brownish-copper eye shadows that they built up into the eyebrow and the severe cheeks. The lips which make me buckle at the knee are a combination of Nars new Audacious Lipstick line out fall 2014 + a rainbow confection of actual glitter. James Kaliardos for NARS Cosmetics did a professional version of a glitter-lip for the runway. He mixed four different colors of loose glitter silver, red, pink, and lavender with either NARS Audacious Dominique Lipstick for the lighter lewk’ or Audacious Deborah for the darker version. Oh hey Nars? Could you not come out with an all-in-one-version? The last time I created DIY makeup, it was with the craptastic kit known as Fresh n’ Fancy™? The homogeny of questionable synthetics, beakers + funnels? The DIY kit for Every 80’s Tween Glitter is messy, and I fear my cat might find and choke on this melee of unicorn vomit and ruin what should be an amazing lipstick moment for me? At the very least, think about making a glossy-glitter adjunct for the market place? …And finally the metallic trend is the statement nail trend this fall, not to be confused with Grandma’s pearlescent nail-sexy. Mix it up by trying a variety of colors, play around with an inverted French manicure or straight shooting metallic silver. The trick is to keep your nails short + sheik! Now take all you’ve learned here and spread it around like fashion confetti! And if you see me at a TIFF party with glitter on my teeth or swirling around in my DRANK, its because like you, I’m just trying my best to stay on trend—Damn you NARS! Dress Like Errrrrrrrybodies Watching, XOXO The Pop Culture Rainman™

VIDÉO Avant le démarrage de la cinquième saison le 9 juin, Netflix dévoile un premier trailer haletant de la série, placé sous le signe de la mutinerie.

Killer Serials ORANGE IS THE NEW BLACK, Season 3, Eps. 4-6 June 23, 2015 J. Ryan Parker Tony and I are back with the second installment of Killer Serials and a look at episodes four, five, and six of the third season of Orange is the New Black. JRP So we got off to a good start with themes of motherhood, spiritual longing, and the tension between truth and confession. While those themes are still prevalent across the next three episodes, new ones take center stage, and I think two rise to the top. The first is the notion of identity or maybe identity ownership and who can be what and who can say what. The second is the privatization of Litchfield with the arrival of MCC and the Whispers Lingerie contract. Boo’s character drives Episode 4 and it’s a fundamental discussion of identity and how it functions. I found her teenage relationship with her father to be a breath of fresh air, but as an adult, when she visits her mother in the hospital, it turns into something that we’ve seen before, even in this series. Is her sexuality her true self or is it a costume she wears like her father suggests, or is it a combination of both? Her father tells her, “No one gets the privilege of being who they are all the time.” When Boo tries to “pass” as “evangeli-crazy” she can’t do it, because it has been a main source of her oppression for so long. In the kitchen, and across the prison, Norma is taking up her own spiritual practice and she is gaining popularity, much to Gloria’s chagrin. Gloria confronts Norma and tells her, “Santeria is some serious shit. […] This ain’t your culture. This ain’t your history.” Closely related to this in terms of spirituality is the popularity of Kosher meals among some of the prisoners. Black Cindy takes advantage of religious freedom and begins eating them even though she’s not Jewish. Nor is Lolly, the new prisoner who starts the craze. Finally, in terms of identity, as the women begin working in the “sweatshop,” Piper calls it for what it is, slave labor. Black Cindy and Janae hear her and promptly correct her. Janae tells her, “You don’t get to say that.” Black Cindy says the more appropriate definition is indentured servitude, which Piper wouldn’t know about either. But, in this case, Piper is right. She, like Black Cindy and Janae, is being exploited for pennies on the hour. TJ Identity is primary, as you say, but even now it’s tied to motherhood, which I think is emerging as the overriding issue of season three. Each character, it seems, has a tortured relationship with her mom, and that hangs over their desire to develop and mature. I really love that we’re getting backstories of the next ring of characters, including Big Boo. As you suggest, her parents’ rejection of her sexuality is redundant — that’s what drove Poussey away from her parents — but it’s surely common enough in the real world to merit that. I’m fascinated by the identity issues in episode six, “Ching Chang Ding Dong.” Before watching it, I’d been wondering if anyone at Litchfield is lonelier than Poussey, and I thought of Chang. Then this episode delved into her background, showing her as an acne-scarred Chinese immigrant, too homely even to be sold into marriage. But we also saw that she has a secret life at the prison that seems to bring her much fulfillment. If Chang’s appearance as a young woman shaped her identity, so does Piper’s. The conversations about beauty are fascinating around the Whispers Lingerie sewing tables. The women debate different racial standards of beauty, but they all agree that the standard white version is skinny and blonde. And they all look at Piper. But Piper is complaining about her looks, which is when a new character, Stella, calls bullshit on her. When it comes to identity, Piper may know herself least of anyone. Though Caputo may give her a run for her money. JRP The privatization of Litchfield Prison is a damning depiction of something we don’t often talk about in mainstream conversations. I know that many people refuse to watch the series and, for me, this is one of the more troubling aspects of this new season. It’s mining humor from one of the most inhumane practices in twenty-first century America. Not only are wages criminally low, new management looks to save money even on feeding the prisoners. MCC representatives complain that Caputo can’t get the per-meal-average down to the national standard of $ he’s 21 cents off. But the privatization of prisons doesn’t result in just slave labor, it exploits the guards and staff as well, whose benefits are cut to save money. Less strenuous hiring practices lead to ill-equipped guards, which are ineffective in keeping order. I I think one key aspect of the privatization of Litchfield is part of a larger theme food and its implication for agency and freedom. Red is literally devastated when MCC ships in bagged food to feed the inmates. Even though she was working with shitty ingredients in previous seasons, she was still preparing and cooking it. Part of Chang’s fulfillment comes from her ability to make and eat the type of food she likes. TJ I love that work that Chang does to create meals that are gratifying to her. But it’s also heart-rending because of the amount of work she has to go through to make it happen. And I agree completely about the privatization issue. I’ve read a couple pieces where commentators disparage OITNB because it makes light of prison and doesn’t show how difficult life inside really is, and I thought of that during Chang’s time in the shed, eating an orange and watching TV on a phone, wondering, Would she really have that much freedom? But in spite of these, I commend Kohan for raising the issue of privatization this season. Kohan is in good company in using comedy to shed light on our country’s moral failure — that’s exactly what Robert Altman and Larry Gelbart did with M*A*S* Check back next week for our dialogue on episodes 7, 8, and 9.

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As Netflix's third original series and one of its most outstanding successes, Orange Is the New Black OITNB was a landmark series for diverse female representation in TV. Meanwhile, the men of Litchfield have served as sounding boards for the females' cries of injustice—for better and for worse. The 7th and final season of Orange Is the New Black shows big ambitions to wrap up its social commentary on the big ticket issues, from immigration and prison privatization to the cycle of addiction and MeToo reconciliation. In particular, this season Joe Caputo Nick Sandow, the milquetoast former warden and aspiring good guy, confronts his previous inappropriate behavior towards season 2's CO Susan Fischer Lauren Lapkus. His MeToo redemption arc is as heavy-handed as the series other closing statements, but it's what best completes Caputo's series-long, bumbling plight to be a better man. Does he deserve that satisfaction? As much as any of the men of OITNB deserve what they get, which is to say sort of. Beta MaleNetflixCreated by Jenji Kohan Weeds, the series has been hailed as a "pioneer" of representing diverse female, immigrant, and trans experiences. In its final season, the show also closes the book on the particular male experience represented by Joe Caputo. He vacillates between a beta male and yet another man under the Nice Guy delusion; as Salon describes, "All he's doing is waiting for the world to give him something in return—the gold medal in exchange for heroism, the blue ribbon award for showing up." When Fischer, a former Litchfield CO for whom Caputo developed feelings, makes a viral Facebook post about how uncomfortable she felt when an unnamed boss expressed his interest in her, Caputo feels unfairly targeted. Since his advances were akin to teenage fumblings over a crush, including inviting her to see his band called Sideboob perform, he argues that his good intentions set him apart from those called out in the MeToo and BelieveWomen movements. Of course, Caputo did use his position of authority to fire Fischer, but he argues that she was a terrible guard. For a show that has featured genuinely malicious acts of coercion, sexual harassment, and rape by male authority figures, making Joe Caputo the target of a MeToo accusation is the perfect move to capture the intention of the movement without virtue-signaling or making misandrist outcries. While Slate proposes that "Caputo's reckoning with his sexual harassment of an ex-employee feels a bit like the show grappling with its own earlier miscalculations," the character's redemption arc is more thoughtful than that. In season 7, Caputo's trail of failed careers leads him back to Litchfield to teach a restorative justice class to inmates, guiding them through role-play exercises and personal reflections to help them assume full responsibility for hurting their victims. It's during one of these exercises that Caputo has an admittedly kitschy moment of self-realization. Despite his initial protests, he realizes that his actions toward Susan Fischer, however well-intended, were inappropriate and an abuse of his authority. He tells his class, "If someone comes to me and says 'This is what you did to me,' it's my job to listen to them. It's not my place to correct what they're thinking or what they're feeling." CO Susan FischerDanielle Brooks, the actress who gives a fiercely human portrayal of Tasha "Taystee" Jefferson as both a victim of injustice and a beacon of reform, has said that she's proud of the show for "hitting on the MeToo movement before the MeToo movement even happened or was being spoken of." In praise of the show's takedown of "toxic male entitlement" whether in the form of beta male self-victimization or the Nice Guy fallacy, Salon noted, "Orange Is The New Black offers up not just an array of male experience, but an array of male frailty; the subversive mission of the show finds ways to lay bare the strength of its women as it exposes the weaknesses of the men."Truly, OITNB does not just depict men as flat caricatures or the ultimate root of all evil; it does something more uncomfortable than that. While outlier critics have accused Jenji Kohan's show of spreading "irresponsible portrayals of men," the dramedy has always relied on its cutting, self-aware humor to present even the most depraved characters as deeply flawed humans. Even season 5's CO Piscatella Brad William Henke, by far the series' worst villain, was given a backstory of an abusive childhood and falling in love with a male inmate who was beaten and sexually assaulted by other prisoners because of their relationship. Prior to that, former CO Sam Healy Michael Harney embodied the Nice Guy who alternates between moments of genuine empathy and vindictiveness, thinly veiling his latent racism, homophobia, misogyny, and transphobia. Still, he's given a tragic, over-the-top backstory about growing up with a mentally ill mother and bigoted father. While each man exhibits a "desperate and sad entitlement, enacted by toying with the inmates unconsciously, to either hurt or help them to his satisfaction," they're also sort of funny. The series doesn't skimp on its signature humor when it comes to toxic characters or their problematic attitudes; that simple gesture creates layers of sympathy that complicate the false dichotomies between innocence and guilt, victim and abuser, intentions and consequences. As creator Jenji Kohan told The New York Times, "I believe it all goes back to the fact you're not that worst moment in your life. I'm not saying that there are not sociopaths who might be irretrievable, but I think it's a small percentage, and everyone else is the people who messed up." She added, "I'm a strong believer in humor for survival. I don't believe a drama that is 100 percent dramatic, because that's not how we live and function as human beings. So I find it very natural to slam comedy up against tragedy, because it mirrors life."At the core of good comedy is empathy, and in its final season OITNB manages to sustain high notes of humor while depicting the tiny daily tragedies that come with mental illness, systemic injustice, and institutional failures. Amidst the strong women of Litchfield, Joe Caputo is the last man standing, as he's the only recurring male character in the series with an evolved sense of self. His MeToo redemption arc underscores the show's point that everyone is reckoning with their past selves and their mistakes, but rehabilitation depends on one's willingness to take responsibility for their actions. People aren't defined by the worst moment of their lives, but they have to work to change their story. TK7Nzu.

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